CLAIR BACKLINE PRO
CLAIR BACKLINE TV

are in real competition with each other, as each company has a particular niche in the world they inhabit, but I do see more of a trend for entertainment service companies to branch out and expand their base of operations. Make no mistake about it, I do not think that Clair and S.I.R. The worst situation would be if the business edges out smaller companies while making more money without passing along the savings to their clients. In the best scenario, a conglomerate can provide a turnkey operation that enables the company to make more money while offering a complete service at a savings to the consumer. This is capitalism at its best - and worst. While this type of corporate ownership has been contended in regard to antitrust laws, one cannot blame any company for wanting to expand its horizons and control more of the market in which it does business. Shortly thereafter, the company was sold to radio conglomerate Clear Channel Communications, who in turn created Live Nation - a spin-off company that combined forces with Ticketmaster to become Live Nation Entertainment - the world’s largest concert promoter. It’s not the end of the world as we know it, as that happened a few years back when SFX acquired and combined regional concert promoters into a single national entity. Okay, so while this doesn’t exactly represent of a tear in the time-space continuum, it does signify a change. has been known as one of the premier backline companies in the country and Clair Brothers has had the same reputation in the realm of audio providers, it seems highly improbable to have found ourselves in this inverted world, but there we were, sharing the same stage - Clair backline and S.I.R. Considering that since the latter half of the 20th century, S.I.R. As the irony of the situation dawned upon us, I couldn’t help thinking that we had entered Superman’sīizarro world, where everything is the reverse of the “normal” world. was in charge of the necessary audio required by the band. On this particular day, my team and I found ourselves walking into a situation where Clair was the backline provider and S.I.R. NY - have been one of the show’s main providers of backline and audio for incoming bands that were in need of a monitor package of more than two or three mixes. Over the last 15 years, as the show morphed from being Regis and Kelly to Kelly and Michael to just Kelly, I - as an agent of S.I.R.

CLAIR BACKLINE TV

I was providing a monitor rig to the morning TV show, Live with Kelly, consisting of a microphone package - including a few wireless mics, a console, a split snake, in-ear monitors, monitor wedges and a tech to set it up and run it.

CLAIR BACKLINE PRO

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